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CinemaTech focuses on how new technologies are changing cinema - the way movies get made, discovered, marketed, distributed, shown, and seen. (With occasional forays into other parts of the entertainment economy.)
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ITVS: Case Studies of Indie Filmmakers Working with New Technologies
aggregated from: Cinematech
One of my big projects for 2008 was collaborating with ITVS on a series of case studies focused on indie filmmakers who are pioneering new ways to:- Open up the production process to more audience participation- Find and connect with new audiences fo
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active: 1 week 1 day ago
topics: pre production
Tinch on 2009
aggregated from: Cinematech
Roger Erik Tinch of CineVegas has a great post today on 'Distribution & Consumption in 2009.' Here's a salient tidbit:Short form content is online kingDuh, right? Then why are companies still trying to push for feature film distribution through widge
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active: 2 weeks 6 days ago
topics: hulu
Seeking Your Help with My Next Book
aggregated from: Cinematech
The project I've been working on for a few months now is about building a fan base in the digital era.If you are a filmmaker, musician, artist, or writer, how do you attract a big audience online...and ideally build a self-sustaining career with the
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active: 3 weeks 4 days ago
topics: youtube
IndieVest: Pay Us Thousands for the Privilege of Investing in Indie Films
aggregated from: Cinematech
Got a press e-mail today from IndieVest, yet another company trying to reinvent the way the indie films are financed. They were profiled in Fast Company recently. From that piece:According to VentureBeat, the company raised $2.5 million last year, an
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active: 3 weeks 5 days ago
topics: filming, pre production
Video: 'Inventing the Movies' talk at Google
aggregated from: Cinematech
Google just posted the video from my Authors@Google talk last month. It focuses on (what else?) Hollywood's love-hate relationship with new technologies. It was fun to give it at Google, of course, since they're in the midst of being sued by Viacom
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active: 7 weeks 17 hours ago
topics: copyright, copyright infringement, youtube
MIT Announces 'Center for Future Storytelling'
aggregated from: Cinematech
MIT's Media Lab announced a new research group today, the Center for Future Storytelling. From the New York Times coverage:Oddly, the piece doesn't mention that the Media Lab has had similar initiatives in the past, like the Interactive Cinema group
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active: 7 weeks 20 hours ago
topics: storytelling
The Future of the Internet Video Business, with Fred Seibert
aggregated from: Cinematech
I had a chance this morning to chat with noted smart guy Fred Seibert. Fred has been a key creative force at Nickelodeon, MTV, and Hanna Barbera, and he now runs nextnewnetworks and Frederator, both of which focus on creating and distributing content
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active: 8 weeks 1 day ago
topics: internet video
Lunchbox Lab on Digital Distribution: Audio File
aggregated from: Cinematech
This Thursday, I went to the first in a series of Lunchbox Labs that are being organized by several film-related organizations here in the Boston area. (Filmmaker's Collaborative, LEF, Central Productions, Color of Film, and the Mass. Production Co
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active: 8 weeks 3 days ago
topics: video distribution
How Will the Recession Impact Hollywood?
aggregated from: Cinematech
The LA Times has a great piece exploring the ways that an economic downturn will affect television and movies. Essentially, consumers seem to be shifting consumption online (where they often find the same content for free, on sites like Hulu and YouT
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active: 9 weeks 6 days ago
topics: hulu, youtube
Insights from THE CONVERSATION
aggregated from: Cinematech
I was not a copious note-taker at The Conversation last Friday and Saturday... too busy trying to keep the show running on time, and making sure our speakers were ready to go. There's lots of video, photos, and blog coverage on the event's official b
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active: 10 weeks 6 days ago
topics: green screen, motion capture, storytelling, videos on youtube, youtube
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CinemaTech focuses on how new technologies are changing cinema - the way movies get made, discovered, marketed, distributed, shown, and seen. (With occasional forays into other parts of the entertainment economy.)
 
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